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Alankria - The Bone Queen, Chapter One
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The Bone Queen, Chapter One
Chapter One of my fantasy novella-in-progress, currently titled The Bone Queen and the Trickster's Daughter. (first draft)

30 May 08: Switched it for the second draft version of the chapter. Still not done, but at least it's a little more polished. Now a novel-under-editing, called The Bone Queen.

CHAPTER ONE


Shadows sliced through the rust-red sand as the small caravan rode into Gold Town.

Oh, was Beth’s first thought as she reined her brown mare to a halt. Well, was her second, I don’t think they were expecting this. The hushed murmur of voices from the front of the caravan confirmed her guess.

Running a hand over the mare’s thick mane, as much to still the creature’s nerves as her own, Beth let her gaze wander over the town. Wooden buildings lined the main street, some painted with signs advertising a general store or stables or bar -- all faded, the paint peeling and casting distorted shadows in the sinking sunlight, strung with cobwebs and crumbling in places. Somewhere a gate creaked on a rusted hinge. The faint breeze licked a scrap of paper through the street. An old wanted poster, Beth saw when she jumped down from the mare to grab it. She didn’t recognise the man’s name.

“Well,” said a voice from behind her, “and here I was expecting a nice hot bath drawn by a busty barman’s daughter.”

“Me too,” Beth murmured, looking to the two men still conversing at the caravan’s front. “I expect we’ll be staying here, though, for the shelter. Maybe there’s some food left.”

“True.” A low thud sounded as Jeckel jumped down from his horse. “Can’t say I like the feel of the place.” He raked thick brown fingers through his cropped dark hair and stepped up to Beth’s side. “Neither do the horses.”

“No.” The beasts worried the dust with their hoofs and showed the whites of their eyes. A couple, younger judging by the un-scarred hides, looked poised to bolt. Their riders attended to them with comforting touches and words and a palmful of grain. Beth offered the same to her mare, though it seemed calmer than most. Really ought to name you at some point, now it looks like we’re going to be together for a while, she thought idly. Her lucky hand at poker a few weeks back was proving a greater boon than she’d expected.

A wordless shout from ahead drew her attention. When all were paying attention, one of the leaders pitched his voice loud enough to carry along the caravan’s length. “We’re gonna be staying here tonight. Bring everything into the street for shelter.” His name hovered just beyond Beth’s memory, even though they were only four days out of Effecie. “Beth, Jeckel, make sure we don’t get any surprises.”

“Right,” Beth murmured, and waved her hand to signal affirmative to the leaders. The wagons began to roll into the main street, horse-pulled, while the traders looked on anxiously. Nothing jumped out to devour them or slice open their throats like cheese. When it looked like that wouldn’t change, Beth and Jeckel swung back onto their horses and rode out.

It was a small town: just the two parallel lines of stores and homes with the main street running between. The backs of the buildings showed the same signs of decay as their fronts, and there were no signs of life. Only remnants -- a white shirt caught on a nail fluttering in the breeze, a pile of empty tins behind one house, the half rotten carcass of a buffalo with most of the meat cut cleanly from it -- attested to a recent human presence.

“Animals should have eaten that,” Jeckel said, gesturing to the bones-and-meat with his pistol.

“I don’t think animals want to come here.” Of its own volition Beth’s mare took two steps back and tugged a little on the reins. “Let’s keep moving.”

Half a minute’s walk later they found the dried-up stream where, presumably, the residents had sifted for gold and earnt their town its name. How many Sand Country towns bore the same name, used the same logic in choosing it? Beth didn’t know. “It was a gold-rich stream,” she said, eyeing two grains that winked at her in the orange light. “That’s not why all the people left.”

“Do you really want to know what happened here?”

The breeze was already starting to cool, sending a shiver through Beth’s lean body. “Yes. No.”

The final slice of sun dropped below the horizon as they returned to the main street. The only street, Beth thought, and yet a sign calling it ‘Main’ hung at each end. Fading, like the rest of the town.

She and Jeckel found a fire already going, using stoops and shelves for fuel. The old shops were dead now, part of the desert’s backdrop. The traders heated their pots of soup with it.

The two leaders stood to one side. “There’s a whole lot of nothing out there,” Beth said, jumping down from her mare in front of them. “Nothing where there should be something.”

One of the men nodded. The other spat a gob of saliva onto the street. The moisture soaked through the thin coating of sand, revealing the stone of the street beneath. “We’re moving out at first light,” he said. “’til then, kindly keep your fears to yourself.”

“Right.” The thinly veiled insult rankled her, but she held her tongue. She was afraid, a little.

Tension hung around the fire, thin like the smoke rising up from it but noticeably present. The traders spoke in low voices, laughing seldom and weakly. After heating up their pots of soup, Beth and Jeckel hung back, sipping the hot liquid, their attention on their surroundings. Nothing stirred; even the breeze had finally died down. We’d be better out in the open, Beth thought. Would sleep easier for sure. The fire’s shifting light cast shadows and patterns across the buildings. Even the unimaginative among the traders would sleep uneasily, turning the shadows into wraiths.

#


Beth took first watch. She sat away from the fire, so that the glare wouldn’t interfere too much with her night vision and the crackling wood wouldn’t prevent her from hearing much quieter noises, and passed the time with her long-barrelled revolvers. The habitual motions of stripping one weapon, laying out all the parts across a thick cloth, cleaning each and re-assembling it helped to calm her nerves; the feel of the other revolver against her side and her foot-long knife on her back certainly added to a veneer of security.

Still nothing stirred.

That was worse than something. On a normal night she heard countless little things: the rustle of small creatures through the sand, the call of larger things, sometimes the scuffle of an encounter between predator and prey. Even the whistle of a breeze through the buildings would have been better than the utter silence beyond the fire’s crackle and the occasional snore from a trader.

When Jeckel rose from his sleeping roll to take over, she gave him only a single shake of her head.

To her surprise, she dropped into sleep within moments of crawling into her own roll.

#


Pre-dawn woke her, a faint light creeping across the sky and smearing out the stars. Shivering in the lingering chill, she crawled from her roll and went to the town’s old well to attempt ablutions. The thin trickle of water at least took off the top-most layer of sand and grime from her sun-browned skin. She tugged her comb through the long, dark hair that badly needed a cut and plaited it again. For once she wanted a real haircut in a nice salon, rather than the crude work she made of it with her knife.

“Somehow I doubt that’s happening any time soon,” she muttered, re-dressing. The faint, flat timbre of her voice was the only noise around.

She shared a quick breakfast of porridge with Jeckel, before returning to the well to fill her canteens. Neither of them said a thing.

The caravan moved out as the curve of the sun peeked above the horizon, and as the horses and wagons left the ruins of Gold Town there was a distinct air of relief. Allowing herself a small smile, Beth patted her mare’s neck. She didn’t know what she had been expecting, but it was definitely something. Maybe the town truly was deserted. The thought felt immediately false.

Endless, empty Sand Country stretched away from them. Plants grew patchily in the rusty earth -- cacti, mostly, and a few scraggly bushes. With the familiar tattoo of hoofs and wheels upon the hard ground, Beth almost forgot the earlier absence of animal life. Only as the day worn on, as sweat trickled between her shoulder blades, drenched the cotton vest she wore under her thin, un-buttoned shirt, did she begin to wonder if that unnerving nothingness hadn’t ended with the sunrise. Few animals stirred during the heat of the day, but she usually saw a lizard basking, flies around the horses, sometimes a bird of prey soaring above.

“There’s nothing,” Jeckel said in a low voice, riding up alongside her. His weather-beaten face was scrunched up in a frown. “No animals. No noise beyond us. Nothing.”

Beth only had time to nod before a cry went up ahead. One hand on a revolver, she rode to the front of the caravan; Jeckel stayed back, to keep an eye on the rear.

“There,” said the leader, the one who’d spat the night before. “I think it’s a man.”

Following the line of his outstretched arm, she saw a hunched-over shadow sitting alongside the track only a hundred or so yards ahead. “Yes, I think.” Her hand didn’t stray from her weapon. Something about the shadow felt wrong -- the shape of it, more angular and more fluid than a man ought to be. “Stay here.” She drew both revolvers. “I’ll ride ahead.”

Using only her legs to guide the mare, she approached the shadow at a walk. Sweat beaded on her face. She swiped it away with the back of her hand and gripped her revolvers tighter, glad of the strips of material tied around her palms to keep them from slipping.

“Stranger!” she called out at two-dozen yards’ distance. “Do you have a name or a purpose?”

It was the traditional greeting in the Sand Country, a way of sounding out another’s intent without broadcasting one’s own.

The shadow shifted, giving her the impression of rags and sun-darkened skin. Her conviction that the thing was not human firmed. “Stranger!” she called again.

It shifted again, suddenly, and with a lurch of panic she realised it was moving towards her -- faster than she could comprehend, moving in a way that wasn’t so much a walk or run as a pushing, sliding through the air. She aimed and fired without thinking, holding onto the mare with her knees and hoping it wouldn’t throw her. With a high-pitched whinny it danced backwards, away from the thing, but it didn’t rear or run.

Beth shot again, and again, emptying her cylinders, but still the thing slide-pushed towards her. Swearing, she holstered the revolvers and drew her knife, and jumped down to the earth with a low thud. Already she felt more stable, more secure with her feet on the ground, but she was painfully aware of her reduced speed as the thing rapidly approached.

This had better work, she thought grimly, sidestepping and thrusting the blade.

It hit the thing with a wail, a high-pitched noise that sliced through the air and sent shudders through Beth’s body. She held fast, forcing the knife into the thing with all her strength. A powerful wave of smell came over her -- the reek of rotting things -- and she bit back the urge to vomit.

Suddenly the noise and the smell stopped. The thing fell away from her knife, dissolving to the ground, and she staggered forward, momentarily unbalanced. Her boots crunched over black squares.

She was still standing in the circle of perfect squares the thing had collapsed into when Jeckel dismounted beside her. “Well, that was peculiar.” His rough, cigar-ruined voice edged her back to something approaching normality, but even as she stepped back from the black squares she felt a little dazed. “Interesting weapon you’ve got there,” Jeckel remarked, toeing the squares with his boot.

Looking down, she saw white lines glowing along the knife’s length. She hurriedly sheathed it. “Kills some things most weapons won’t,” she said flatly.

Jeckel picked up a handful of the squares and sniffed them. “Smells like rotting,” he said, turning his palm over. The faint breeze returned, briefly, and took them away, scattering them along the track. The movement of air along Beth’s skin and sweat-drenched clothes brought a soft sigh to her lips.

“There’s no more danger here,” she said. “We should go back.”

No danger right here, she amended mentally as they rode back towards the caravan leaders. But there’s still plenty out there, somewhere. There was still no sign of animal life.
She brushed away the leaders’ questions with lies of, “It was nothing really,” and, “Just a little thing, gone now and no more of its kind around.” Eventually the leaders accepted her response and rode on, but she saw them pause for a moment by the squares.

#


That night she sat with her back closer to the fire than usual, facing the empty plain. Still nothing stirred.

“You killed that thing,” Jeckel murmured, an hour into his watch. “Go to sleep now. If I see something unnatural, I’ll wake you.”

Nodding, dragging herself from her reverie, she murmured a ‘goodnight’ and curled up in her sleeping roll.

That wasn’t what I was looking for, she thought.

Tags:
Mood: creative

Comments
j_c_wilhoit From: [info]j_c_wilhoit Date: January 2nd, 2007 08:45 pm (UTC) (Link)
Overall I thought it was a good read. It went by fast, and I enjoyed the narrative. I do have a couple questions and nit-picks about it.

At the begining, I couldn't tell if it was a fantasy or a western... and then I realized it was a fantasy/western. I dunno if it's an original idea or something you copped from someone else, but it definitely had a "Wild Arms" flavor that I liked (Wild Arms being a series of Play Station RPGs that are a cross between fantasy and western). Anyway, my point is that to make it seem more Westerny, you could use more western terminology like "saloon" instead of "bar," or "bedding down" instead of "staying/sleeping." You could also say "wagon train" instead of "caravan," 'cos when you say "Caravan," I automatically think of fantasy D&Dish stuff.

Another minor gripe is that you don't describe the characters very much. I understand the need for brevity sometimes, but I barely got snippets about Beth and Jekel, and almost nothing at all about anyone else in the caravan.

Your descriptions in general are a bit too vague to me, as well, such as the description of the "shadow" out in the desert. How can you have a "shadowy figure" out in the middle of the desert where there's hardly any shade? And other than "the shadow" there's no real concrete description of it that I saw. Plus, the way it died in "squares" or whatever, confused the hell out of me.

During that scene, you described Beth as scared and skittish. After unloading both pistols into this damn thing and getting no results, I can't logically see how her next action would be to drop down out of the saddle and stab it with her knife. Do you think it would be better or more realistic to have her try to flee, have the monster/whatever/thing catch up and drag her off the horse, and then have her knife it? It would give the same outcome, but make the character seem less superhuman... at least, that's my impression, anyway.

Also, this is just a personal nit-pick, but the dual six-shooters thing is a bit over done. It's actually more a product of "movies rewriting history" than anything. I don't know if that makes a difference to you, but I thought I might mention it.

And one last question: are you planning on getting a different title after you've completed more of the story? 'Cos "Beth" doesn't really do it for me. But then again, what do I know?

Anyway, other than those gripes, I thought it was a great story. As always, you're free to take or leave any of my suggestions. I hoped this helped, and good luck with the rest of the story. I'm looking forward to reading more.
alankria From: [info]alankria Date: January 2nd, 2007 10:39 pm (UTC) (Link)
It's fantasy in a western-ish setting, a different world to ours. This has the handy advantage of allowing historical discrepancies and also, of course, for weird shit to happen. Still, I might hunt down some more Western-ish terms, so thanks for the ones you supplied.

I don't like big character descriptions, especially at the beginning. I feel they weigh down the story, which at the beginning should have a strong pace to grab the reader and yank them in. Also, I don't feel it would be realistic for Beth to start giving lengthy descriptions of herself, of Jeckel, and of the caravan as a whole. She knows all these things already. It seems more realistic, to me, for her to remark on these things as they're relevant - like when Jeckel runs his fingers through his hair, or when she combs hers. However, you're not the only person to comment on the lack of description, so I might slip in the fact that all these people are dark-skinned, just so that readers have something to go on. There will be some more description later, as well; I just don't like lengthy descriptions of characters in chapter 1.

The shadowy figure is meant to be weird. It's meant to be indistinct. And the whole dying into squares thing is also meant to be weird. Weird stuff is happening out here. I can't really get rid of your "huh wtf?" moment without ruining the weirdness of the scene; besides, weird is good, at least in my opinion. =D

Beth's knife isn't an ordinary knife. With most things a bullet is going to be a much easier means of killing than a knife - distance, etc - but when bullets have no effect, and the thing is clearly not human, she uses the knife. As she says, it kills things than most other weapons won't. I think I'll start explaining the knife in the second chapter, so any confusion similar to yours is quickly ironed out. I don't want to infodump at that moment, though.

Eh, the dual six-shooters thing... yeah, it's kind of a cliché, but I like it. *shrug* A personal thing, like you said.

And finally, yes, I am planning to change the title. "Beth" is just something to name the file on my computer, and to refer to it as, until I think of a better title.

Thanks a lot for the crits. What you've said has influenced the next chapter, where a little will be explained, and even where I've turned down your advice it's always useful to make me think about the thing before I decide not to change it. So thanks :) I'll try to check out the Paid in Blood first chapter by the end of the week, but I'm working tomorrow and Thursday so I might not have time before Friday.
winterfox From: [info]winterfox Date: January 2nd, 2007 10:14 pm (UTC) (Link)
(novella, then, I suppose, or maybe just a novelette).

*deadpan* Surely you mean a novel-lite?

X)

For some reason, my mind darted to the beginning of Iron Council. Weird and illogical, I know, but there you go.

I like the descriptions. Tension is palpable in the prose, in Beth's thoughts and feelings. Vivid imageries without being long-winded or purple, and the dialogue has a certain flow to it -- I don't feel for a moment that these people are reading off a script. I particularly liked, again without being able to tell why, this exchange:

“Do you really want to know what happened here?”

The breeze was already starting to cool, sending a shiver through Beth’s lean body. “Yes. No.”


I'm a bit puzzled by all this, though I admire the utter lack of info-dumps. Not sure if you're going too far with that, however, as I feel rather disoriented (who are these people, what are they doing, etc), but it's intrigued me enough that I'd read further to have all those questions answered.
alankria From: [info]alankria Date: January 2nd, 2007 11:00 pm (UTC) (Link)
*deadpan* Surely you mean a novel-lite?

Yes, and then I am going to revolutionise the fantasy genre, bring it back to the femynye powerz of wondyr, after which I will turn to comic books and hack myself to death before I start writing bad pr0n...

Haven't read Iron Council yet, but it's there on my bookshelf and it's very high up on the list.

Thanks a lot for commenting, and I'm glad you liked it. :) You're not the only one to note the lack of information. It's weird, I had only this vague notion in my mind that I wasn't going to give any more detail than the here-and-now of the character's experience, and it worked reasonably well for most people I think. I guess the important thing is that you're intrigued enough to read on, and I'm intending to drop some explanation about what they're doing in the second chapter so the confusion is lessened.
penchaft From: [info]penchaft Date: January 3rd, 2007 04:15 am (UTC) (Link)
You're obsessed with the word 'palpable', I swear.

('sgood thing you got banned, TFQ might have a heart attack if she saw this crit.)
katiefoolery From: [info]katiefoolery Date: January 3rd, 2007 01:00 am (UTC) (Link)
It's fascinating so far. I would have preferred an extension of the scene in Gold Town - perhaps some more exploration or reports from the other members of the caravan. I do like the last line of the chapter, though. That came as a nice surprise.
penchaft From: [info]penchaft Date: January 3rd, 2007 04:24 am (UTC) (Link)
I don't get the squares at the end. Were they there before, or did the creature or its death or her knife cause them? I don't get them at all. =(

I'm fine with the not knowing who they are, what's going on (it seems to me that Beth and Jeckel (I like that name!) are guardsmen), etc, because it feels like there's going to be more chapters - though, to be honest, this just-as sits fine with me too. I'm not bothered by the lack of character description. The environment, the atmosphere, the action: they are the important things.

I think that I'm most interested in the difference between Beth and Jeckel - he seems just as capable as her, but he's actually not on some matters. Hmm, yeah. They seem to know each other okay at least, but they can't have been travelling together too long, though I suppose not everywhere would have shadow beasties...

so that the glare wouldn’t interfere too much with her night vision
me: ELF! wait. humans can have night vision too. *facepalm*


Still nothing stirred.
I really, really like this sentence. (I like the whole thing, but I like this one so much that I've been saying it aloud.)
winterfox From: [info]winterfox Date: January 3rd, 2007 08:31 am (UTC) (Link)
I was confused about the black squares, too, but seeing that no one else before me remarked on it, I thought I was stupid or something. Then I spooted this:

The thing fell away from her knife, flaking to the ground, and she staggered forward, momentarily unbalanced. Her boots crunched over black squares.

Presumably, the shadow thing dissolves into flakes of black squares.
winterfox From: [info]winterfox Date: January 3rd, 2007 08:32 am (UTC) (Link)
...spooted? I have such weird typos.
alankria From: [info]alankria Date: January 3rd, 2007 09:41 am (UTC) (Link)
Presumably, the shadow thing dissolves into flakes of black squares.

Yup. I'll tweak that a little to make it more clear.
alankria From: [info]alankria Date: January 3rd, 2007 09:48 am (UTC) (Link)
The shadow thing dissolved into squares when it died, as Winterfox guessed. I'll tweak it to make it more clear.

The environment, the atmosphere, the action: they are the important things.

=D Glad you think so. I'm also glad you liked the "Still nothing stirred" - I worried some people might find it repetitive because I use it 3 or 4 times, but evidently not.

And yeah, humans can have night vision too. :P *holds up sign saying 'no elves here'*

Thanks for the comments. :)
j_c_wilhoit From: [info]j_c_wilhoit Date: January 3rd, 2007 01:24 pm (UTC) (Link)
I think to me, the part that was most confusing about the "black squares" description was that you just described them as "black squares," as if this monster thing just dissolved into uniform little black squares of... something. You don't tell us what the "square" material is like, whether its glassy or meaty, or if it's like fabric or wood or metal or what--Jekel just says that they're "rotting." Plus, you say the word "squares" five times in about 3 or 4 paragraphs. Is there some other word you could use to describe them to vary it a little bit?

And to clarify my point about the descriptions, I didn't mean that I wanted long-winded info dumps, just maybe a little bit more description scattered around about the main two characters. And a name for the "leader," too. I wouldn't expect you to expound on his character very much, but at the very least, an epithet like "Boss," or something similar would liven him up and make him seem more distinct than the vague, nameless authority figure he seems to be right now.

I hope that clarifies my points a bit more. And if not, well, I'll just give up and you can ignore me =)
alankria From: [info]alankria Date: January 3rd, 2007 02:04 pm (UTC) (Link)
No, that does clarify, and I'll take it into account when I come to tweak the chapter. Thanks a lot. :)
penchaft From: [info]penchaft Date: January 4th, 2007 03:17 am (UTC) (Link)
The main thing is that I wasn't sure if the black squares were there before the creature died, or were there because of its death!
upstart_crow From: [info]upstart_crow Date: January 28th, 2007 06:36 pm (UTC) (Link)
Thank you for the add! I can't wait to talk more :)

This chapter looks great, too. I'll read it in more depth as soon as I can.

- Jo
alankria From: [info]alankria Date: January 28th, 2007 08:22 pm (UTC) (Link)
Thanks, and I hope you enjoy the chapter when you've got time to read it. :)

Here's to good talk! *raises glass*

And, fyi, I post mostly over on vox, and most of my posts there are public so you can read them easily on [info]alankriavox if you're so inclined. But I am active on LJ too, simply because so many other people are.
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